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"The Voice of Pornography: Tracking the Subject Through the Sonic Spaces of Gay Male Moving-Image Pornography." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Many Asian countries have reported on the enormous usefulness of the Internet not only to make queer friends, but also to question and debate sexual politics.
"Toward a Butch-Femme Aesthetic." In: Making a spectacle: feminist essays on contemporary women's theatre / Lynda Hart, editor. In Asia, the specificity of "queer markings"-as an object of study caught in the tradition/modernity axis, as a site of reworked sexuality as new pop hipdom, or as ubiquitous forms of ordinary same-sex sociality-appears to be a caveat upon caveat.
The shape ofcollective identity - how internal instabilities and diversities are accommodated, in this case - depends not only on the emergentcharacteristics of the collective, but also on the resolution of challenges particular to organizational fields.
Monsters in the Closet: Homosexuality and the Horror Film / Harry M. Manchester [England]; New York: Manchester University Press; New York: Distributed by St. Series title: Inside popular film."The Love That Dare Not Speak Shakespeare's Name: New Shakesqueer Cinema." In: Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video / edited by Lynda E. "Using information gathered during fieldwork on New York lesbian and gay film festival organizations this paper argues thatscholarship on identity has nor paid sufficient attention to the organizational mediation of collective identity.
The types of films and videos from East Asia, which center on gay and other queer characters, are the focus of this paper and are broken into three categories: 1) feature films aimed at a mainstream market and the general culture in which they are produced; 2) independent short films and videos shot by gay Asian men; and, 3) a crossover category of features that could be said to be festival or art house films, with a niche market.
London: Pandora, 1994.""Working like a homosexual", camp visual codes and the labor of gay subjects in the MGM Freed Unit." In: Hollywood musicals, the film reader / edited by Steven Cohan. In focus--Routledge film readers."Homo Pomo: The New Queer Cinema." In: Women and Film: A Sight and Sound Reader. It is asserted that these films do not necessarily tell us about the empirical realities of gay lives in East Asian communities, but they do tell us something of what it means to be gay in East Asian cultures.
Minneapolis, Minn.: University of Minnesota Press, c1996. "The Organizational Shaping of Collective Identity: The Case of Lesbian and Gay Film Festivals in New York." In: A Queer World: The Center for Lesbian and Gay Studies Reader / edited by Martin Duberman. : Madonna and lesbian and gay culture /Sonya Andermahr --She thinks I still care: lesbians and country music /Rosa Ainley and Sarah Cooper --Netting the press: playing with Martina /Diane Hamer --Girls who kiss girls and who cares? "Imagined violence/queer violence: representations of rage and resistance." In: Reel knockouts: violent women in the movies / edited by Martha Mc Caughey and Neal King. Detroit, Mich.: Wayne State University Press, c2003. "Creating, curating, and consuming queer Asian American cinema: an interview with Marie K. Article discusses the dynamics of filmic representations of eroticism and sexuality in heterosexual relationships in recent mainstream films, with emphasis placed on the significance of supporting gay characters.
This particularly becomes apparent in the Bollywood dance sequence--the frequent site of Hindi sex/gender play--whose coded queer desires are much easier to de-code (or re-code)when in the diaspora." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. New York: Feminist Press at The City University of New York, 1996."Diaspora sexualities : Asian American queer video in the world system." In: Ghostlife of third cinema : Asian American film and video / Glen M. Minneapolis : University of Minnesota Press, c2009. Benshoff -- The new queer spectator / Michele Aaron. Pictures at an Exhibition." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He argues that such films signify culturally and socially regardless of whether they are watched or not; how they do this has less to do with their individual content than with a broad range of forces beyond the reach of a discipline dedicated primarily to reading films. London ; New York: Routledge, 1995."Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. "The writer discusses film studies and gay pornography. K.; New York: Manchester University Press: Distributed exclusively in the USA by St. "The Erotic Female Friendship Film: Lesbianism in the Mainstream." In: In the company of women : contemporary female friendship films / Karen Hollinger. "Pee Wee Herman: The Homosexual Subtext." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. But you don't have to be gay to find that a good thing." (motion pictures depicting a gay lifestyle)(Brief Article) Time v152, n8 (August 24, 1998):73 (2 pages). Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies. "Objects of our affection: gay films are moving into the mainstream. In its examination of the relationship between popular film and lesbian viewing practices, this study attempts to more fully elucidate current ideas around audience engagement and forms of cultural reception.